World Literatures

CLS 233 Gender and Sexuality in Greco-Roman Culture (4 Credits)

The construction of gender, sexuality, and erotic experience is one of the major sites of difference between Greco-Roman culture and our own. What constituted a proper man and a proper woman in these ancient societies? Which sexual practices and objects of desire were socially sanctioned and which considered deviant? What ancient modes of thinking about these issues have persisted into the modern world? Attention to the status of women; the role of social class; the ways in which genre and convention shaped representation; the relationship between representation and reality. {H}{L}

Fall, Spring, Alternate Years

EAL 232/ WLT 232 Modern Chinese Literature (4 Credits)

Offered as WLT 232 and EAL 232. Can literature inspire personal and social transformation? How have modern Chinese writers pursued freedom, fulfillment, memory and social justice? From short stories and novels to drama and film, this course explores class, gender and the cultures of China, Taiwan, Tibet and the Chinese diaspora. Readings are in English translation and no background in China or Chinese is required. Open to students at all levels. {L}

Fall, Spring, Alternate Years

EAL 242 Modern Japanese Literature (4 Credits)

A survey of Japanese literature from the late 19th century to the present. Over the last century and a half, Japan has undergone tremendous change: rapid industrialization, imperial and colonial expansion, occupation following its defeat in the Pacific War, and emergence as a global economic power. The literature of modern Japan reflects the complex aesthetic, cultural and political effects of such changes. Through discussions of these texts, the class also address theoretical questions about such concepts as identity, gender, race, sexuality, nation, class, colonialism, modernism and translation. All readings are in English translation. {L}

Fall, Spring, Variable

EAL 254 Modern Korean Literature in Translation (4 Credits)

This course is a survey of modern Korean literature from the 1990s to the present. It charts the formal and thematic development of Korean literature by examining how literature illuminates Korea's history and politics. The class engages in the close reading of medium and full-length fictions in English translation, while considering their historical and cultural contexts. {L}

Fall, Spring, Variable

EAL 273 Colloquium: Women and Narration in Modern Korea (4 Credits)

This class explores modern Korean history from women's perspectives. It charts the historical and cultural transformation in modern Korea since the 1920s by coupling key terms of modern history with specific female figures: (1) Colonial modernity with modern girls in the 1920s and 30s; (2) colonization and cold-war regime with "comfort women" and "western princesses" from the 1940s to the 1960s; (3) industrial development under the authoritarian regime in the 1970s with factory girls; and (4) democratization and multiculturalism with rising feminists in the new millennium. {H}{L}

Fall, Spring, Variable

EAL 282 Colloquium: Topics in East Asian Languages and Literatures-Honglou meng--The Dream of the Red Chamber (4 Credits)

This course focuses on exploring and comprehending human nature through The Dream of the Red Chamber, a well-known Chinese novel also known as The Story of the Stone. It delves into the various themes and issues presented in the book, including fate and human will, art, gender, philosophy, religion, love, social class and politics, by examining the lives of thirteen protagonists, including Baoyu and the Twelve Beauties. Since the novel encompasses characters from different classes and professions, the course also explores how their lives intersect with each other and with the thirteen protagonists. All readings are in English translation. Enrollment limited to 20. {L}

Fall, Spring, Variable

EAL 291 Writing Empire: Images of Colonial Japan (4 Credits)

This course explores the development of Japanese and colonial identities in literature produced in and about Japan’s colonies during the first half of the 20th century. Students read literary works written during and about the Japanese empire by Chinese, Japanese, Korean, Okinawan and Taiwanese writers. By bringing together different voices from inside and outside of Japan’s empire, students gain a deeper understanding of the complexities of colonial hegemony and identity. Taught in English: no knowledge of Chinese, Japanese or Korean required. {L}

Fall, Spring, Variable

EAL 360tr Seminar: Topics in East Asian Languages and Literatures-Travel and East Asia (4 Credits)

This course explores the treatment of travel within the literary traditions of China, Korea, Japan and Taiwan. Students read texts from the premodern era to the present day that portray different forms of travel including religious pilgrimages, political exile, colonialism, emigration, study abroad and tourism. Situating these texts within their specific cultural and historical contexts, the course considers how these literary journeys reconfigure such notions as space and time, nature, identity and home. All readings in English translation. Prerequisite: one 200-level EAL course, or equivalent. Restrictions: Juniors and seniors only. Enrollment limited to 12. Instructor permission required. {L}

Fall, Spring, Variable

ENG 171/ WLT 272 Composing a Self: Chinese and English Voices (4 Credits)

Offered as ENG 171 and WLT 272. Is the self a story? How do we translate ourselves into multiple personas in different locations and contexts? How do we speak to others with diverse beliefs or ourselves at new times? To learn, students read and compose short texts in Chinese, translate them into English, and consider the art and politics of translation. Working in public-facing genres (memoir, narrative nonfiction, journalism, short stories, social media and multimedia projects), students develop their creative writing in both Chinese and English, as well as understandings of Chinese cultures and of literary and cultural translation. Discussion in Chinese and English. Chinese fluency required. One WI course highly recommended. Enrollment limited to 16. {F}{L}

Fall, Spring, Alternate Years

ENG 202/ WLT 202 Western Classics in Translation I: Homer to Dante (4 Credits)

Offered as ENG 202 and WLT 202. Considers works of literature, mostly from the ancient world, that have had a significant influence over time. May include: epics by Homer and Virgil; tragedies by Aeschylus, Sophocles and Euripides; Plato’s Symposium; Dante’s Divine Comedy." Enrollment limited to 20. WI {L}

Fall

ENG 203/ WLT 203 Western Classics in Translation II (4 Credits)

Offered as WLT 203 and ENG 203. Considers works of literature from different linguistic and cultural traditions that have had a significant influence over time. Posits that the emergence of a modern literary tradition might be understood as a sustained exploration of the relationship between fiction and reality, as tracked through major artistic movements like realism, romanticism, naturalism, expressionism, and existentialism. Interrogates the category of "the classic," the idea of "the west," and the meaning of reading "in translation." Includes works by major writers from Cervantes to Sartre. Enrollment limited to 20. WI {L}

Spring

ENG 207/ HSC 207 The Technology of Reading and Writing (4 Credits)

Offered as ENG 207 and HSC 207. An introductory exploration of the physical forms that knowledge and communication have taken in the West, from ancient oral cultures to modern print-literate culture. The main interest is in discovering how what is said and thought in a culture reflects its available kinds of literacy and media of communication. Discussions to include poetry and memory in oral cultures; the invention of writing; the invention of prose; literature and science in a manuscript culture; the coming of printing; changing concepts of publication, authorship, and originality; movements toward standardization in language; and the fundamentally transformative effects of electronic communication. {L}

Fall, Spring, Alternate Years

ENG 225 Hybrid Genres: Experiments in Literary Form (4 Credits)

This literature course explores texts that experiment with the boundaries of genre and form or with combining different genres, from documentary poetics to the essay film to the graphic novel memoir. Upsetting the conventional distinctions between word and image, fact and fiction, and poetry and history, these hybrid texts ask students to rethink how form and genre work, and what students might learn from their undoing. Students respond to the readings with their own hybrid essays. Readings include texts by Alison Bechdel, William Blake, Theresa Hak Kyung Cha, Jamaica Kincaid, Maggie Nelson, M. NourbeSe Philip and Claudia Rankine. {L}

Fall, Spring, Alternate Years

ENG 230/ JUD 230 American Jewish Literature (4 Credits)

Offered as JUD 230 and ENG 230. Explores the significant contributions and challenges of Jewish writers and critics to American literature, broadly defined. Topics include the American dream and its discontents; immigrant fiction; literary multilingualism; ethnic satire and humor; crises of the left involving 60s radicalism and Black-Jewish relations; after-effects of the Holocaust. Must Jewish writing remain on the margins, too ethnic for the mainstream yet insufficient for contemporary gatekeepers of diversity? No prerequisites. {H}{L}

Fall, Spring, Variable

ENG 237 Colloquium: Environmental Poetry and Ecological Thought (4 Credits)

This course considers how literature represents environmental change and crisis, and shapes our understanding of the natural world. How can poetry provide new ways for thinking through extinction, conservation, and environmental justice? We explore these issues by reading a selection of environmental poetry in conversation with key texts from the environmental humanities. Central to the discussions: the sublime and the aesthetics of landscape and wilderness; garbage and the poetics of waste; the ethics of representing animal and plant life; the relation between landscape, labor, and power; and how eco-poetry intervenes in debates about climate change. {L}

Fall, Spring, Variable

ENG 241 The Empire Writes Back: Postcolonial Literature (4 Credits)

Introduction to Anglophone fiction, poetry, drama and memoir from Africa, the Caribbean and South Asia in the aftermath of the British empire. Concerns include the cultural and political work of literature in response to histories of colonial and racial dominance; writers' ambivalence towards English linguistic, literary and cultural legacies; ways literature can (re)construct national identities and histories and address dominant notions of race, class, gender and sexuality; women writers' distinctiveness and modes of contesting patriarchal and colonial ideologies; and global diasporas, migration, globalization and U.S. imperialism. Readings include Achebe, Adichie, Aidoo, Dangarembga, Walcott, Cliff, Rushdie, Ghosh, Lahiri, Hamid and others. {L}

Fall, Spring, Variable

ENG 250 Chaucer's Canterbury Tales (4 Credits)

A study of England's first cosmopolitan poet whose Canterbury Tales offer a chorus of medieval literary voices, while creating a new kind of poetry anticipating modern attitudes and anxieties through colorful, complex characters like the Wife of Bath. The class reads these tales closely in Chaucer's Middle English, an expressive idiom, ranging from the funny, sly and ribald to the thoughtful and profound. John Dryden called Chaucer the "father of English poesy," but if so, he was a good one. Later poets laughed with him, wept with him and then did their own thing, just as he would have wanted. Restrictions: Not open to first-years. {L}

Fall, Spring, Annually

ENG 271/ GER 271 Imagining Evil (4 Credits)

Offered as GER 271 and ENG 271. This course explores how artists and thinkers over the centuries have grappled with the presence of evil--how to account for its perpetual recurrence, its ominous power, its mysterious allure. Standing at the junction of literature, philosophy, and religion, the notion of evil reveals much about the development of the autonomous individual, the intersection of morality, freedom and identity, and the confrontation of literary and historical evil. Readings include literary works from Milton, Goethe, Blake, Kleist, E.T.A. Hoffmann, Tolkien, Le Guin; theoretical texts from Augustine, Luther, Nietzsche, Freud, Arendt. Conducted in English. {L}

Fall, Spring, Variable

ENG 274 The Pleasures of Not Thinking: Romanticism and the Irrational (4 Credits)

Romantic writers were obsessed with uncertainty, ignorance and the irrational, unthinking mind. Concerned with the unusual ideas that surface when one is sleeping or spaced out, absorbed or intoxicated, Romanticism embraced reason’s alternatives: forgetting, fragmentation, stupidity and spontaneous, uncontrollable emotion. From Wordsworth’s suggestion that children are wiser than adults, to Keats’s claim that great writers are capable of remaining uncertain without reaching for fact or reason, Romantic poets and novelists suggested that one has something to learn from not thinking. Students read texts by Austen, Blake, Burke, Coleridge, Cowper, De Quincey, Freud, Kant, Keats, Locke and Rousseau. {L}

Fall, Spring, Variable

ENG 277 Postcolonial Women Writers (4 Credits)

A study of 20th-21st century women writers in English from Africa, South Asia and the Caribbean. Students read a variety of genres in their historical, cultural and political contexts, to address questions such as: how have women writers addressed the challenges of contesting sexism and patriarchy from within their home cultures as well as the impacts of western imperialism? How have they combined feminism with anti-colonialism, and addressed issues of race, class, gender, sexuality or nationhood, war, migration and diaspora? How have they deployed the act of writing as cultural work? Writers include Adichie, Aidoo, Cliff, Desai, Emecheta, Hosain, Kincaid, Satrapi and Zadie Smith. Prerequisite: one WI course. {L}

Fall, Spring, Variable

ENG 280/ WLT 280 Historical Memory and the Global Novel (4 Credits)

Offered as ENG 280 and WLT 280. This course explores the relationship between history and memory in a series of post-WW2 “global” novels, texts that somehow straddle or transcend national traditions and marketplaces. This course interrogates how art might ethically engage with—or seek refuge from—historical “events” such as colonial and post-colonial violence, total/nuclear war, authoritarian military coups, global terrorism, trans-Atlantic slavery and the Holocaust. Major course themes include the relationship between the personal and the historical, the national and the global, the generational transfer of trauma, feelings of guilt and complicity, and the idea of historical memory itself. {L}

Fall, Spring, Alternate Years

FRN 230ww Colloquium: Topics in French Studies-Women Writers of Africa and the Caribbean (4 Credits)

An introduction to works by contemporary women writers from Francophone Africa and the Caribbean. Topics studied include colonialism, exile, motherhood and intersections between class and gender. The study of these works and of the French language is informed by attention to the historical, political and cultural circumstances of writing as a woman in a former French colony. Texts include works by Mariama Bâ, Maryse Condé, Yamina Benguigui and Marie-Célie Agnant. Basis for the major. Prerequisite: FRN 220. Restrictions: FRN 230 may not be repeated. Enrollment limited to 18. Course taught in French. WI {F}{L}

Fall, Spring, Variable

FRN 286 Invisible Minority: Chinese Culture in France (4 Credits)

A reference to the French phrase minorité visible, this course’s title highlights the recurrent critique from East Asians in France that theirs is a forgotten minority group. To understand this critique, the class traces the history of exoticized representations of Chinese culture in France from the 17th century to the present. The class then turns to recent literary works by Chinese diasporic writers to consider how they represent their native cultures for a French audience amidst China’s shift in status on the global stage. Finally, the class examines images of Asian culture in contemporary French media and popular culture. Course taught in French. {F}{L}

Fall, Spring, Alternate Years

FYS 165 Childhood in African Literature and Film (4 Credits)

A study of the theme of childhood in modern African literature. The course explores how representations of childhood in African literature are tied to gendered social, political and cultural histories; and to questions of self and of national identity. Discussions are informed by several questions: How do African narratives of childhood help to understand the shifting historical, political and cultural landscapes in contemporary Africa? How does the enforced acquisition of colonial languages and cultures affect children as they attempt to master the codes of alien tongues and cultures? How do narratives told from the point of view of children represent and deal with such complex issues? What are the relationships between childhood narratives and autobiographies? Restrictions: First years only; students are limited to one first-year seminar. Enrollment limited to 16. WI {L}

Fall, Spring, Variable

FYS 167 Viking Diaspora (4 Credits)

The Norse colonies of Iceland and Greenland and the attempted settlement of Vinland in North America were the first European societies of the New World, revealing patterns of cultural conflict and adaptation that anticipated British colonization of the mid-Atlantic seaboard seven centuries later. This course compares the strengths and weaknesses of the medieval Icelandic Commonwealth, founded in 930, with the 1787 Constitution of the United States, both political systems facing serious crises within two generations. Sources for these experimental communities are the oral memories of founding families preserved in the later Íslendingasögur (Sagas of Icelanders) of the 13th century. This course counts toward the world literatures, English and medieval studies majors. Restrictions: First years only; students are limited to one first-year seminar. Enrollment limited to 16. WI

Fall, Spring, Variable

GER 189/ ITL 189 Thinking Transnationally: European Culture Across Borders (2 Credits)

Offered as ITL 189 and GER 189. This series of interdepartmental lectures by a selection of Smith faculty examines the myth of cultural homogeneity perpetuated by the ideal of “native” linguistic competency. These lectures explore hybridity and interaction between cultures and languages as the rule, not the exception. The goal is to help students comprehend the transnational, multilingual web into which they are woven, and to appreciate how they contribute to that web, to appreciate their own position as transnational subjects. By adopting a transnational perspective, students learn to question the primacy of the “native,” whether as non-native speakers in the US or as language-learners looking abroad. S/U only. {H}{L}

Fall, Spring, Annually

GER 231wc Topics in German Cinema-Weimar Cinema (4 Credits)

During the brief period between the fall of the Kaiser and the rise of the Nazis, Germany was a hotbed of artistic and intellectual innovation, giving rise to an internationally celebrated film industry.  With an eye to industrial, political, and cultural forces, this course explores the aesthetic experience of modernity and modernization through formal, narrative, and stylistic analyses of feature films from the "Golden Age" of German cinema. Films by Wiene, Lange, Murnau, Pabst, Ruttmann, Sternberg, Sagan and Riefenstahl. Restrictions: GER 231 may be repeated once with a different topic. Conducted in English. {A}{H}

Fall, Spring, Variable

GER 269tf Colloquium: Topics in Transnational German Studies-The Forest (4 Credits)

This course studies the forest as a literary construct, cultural asset, economic resource and key ecological player. German social movements in the 19th century were conspicuously invested in the forest as a national symbol. This obsession with the “German forest” serves as a starting point to explore the significance of the forest on both sides of the Atlantic. Cultural artifacts like the Grimm’s fairy tales and German Romantic poetry influence American literature and art; mechanisms of exclusion and belonging, destruction and profiteering shape discourses on the natural world across the globe. A recent rise in narratives of interconnectedness may herald a paradigm shift in how both the US and German-speaking world thinks about the forest. Enrollment limited to 18. (E) {H}{L}

Fall, Spring, Annually

GER 369wb/ ITL 369wb Seminar: Topics in Transnational Encounters-Nations Without Borders (4 Credits)

Offered as GER 369wb and ITL 369wb. Both Italy and Germany arise from a combination of mobile factors, including people, languages, ideas and ideologies that move across, beyond and before national borders. This course interrogates what it means to study a modern language, specifically German and Italian, by reflecting on this fluidity and mobility of languages and cultures. Areas of inquiry include: the reception of works and authors in translation, the geographic and social mobility of people across multiple borders, the role of memory in connecting the national past with other regions and languages, and the impact of transnational cultures in shaping gender, racial and cultural identities. Cannot be taken S/U. Restrictions: Juniors and seniors only. Enrollment limited to 12. Instructor permission required.

Spring, Variable

JUD 260 Colloquium: Yiddish Literature and Culture (4 Credits)

Why did Yiddish, the everyday language of Jews in east Europe and beyond, so often find itself at the bloody crossroads of art and politics? From dybbuks and shlemiels to radicals and revolutionaries, the course explores Yiddish stories, drama, and film as sites for social activism, ethnic and gender performance, and artistic experimentation in Europe, the Soviet Union, and the Americas. How did post-Holocaust engagements with Yiddish memorialize a lost civilization and forge an imagined homeland defined by language and culture rather than borders? All texts in translation. No prerequisites. Enrollment limited to 18. {L}

Fall, Spring, Alternate Years

JUD 263 Colloquium: The Jewish Graphic Novel (4 Credits)

Traces the history of major antecedents to the graphic novel and related works, including illustrated books, journalistic cartoons, and comics and sequential art. Topics include Jewish secularism; Yiddish theatre and literature; comic strips; comic books; editorial and magazine cartoons; book, magazine, and other forms of illustration; and a range of Jewish graphic novels, primarily from the United States, Canada, and Israel, with some consideration of creators and publications from Europe and the Middle East. {A}{L}

Spring

JUD 362yl Seminar: Topics in Jewish Studies-Yiddishland (4 Credits)

Explores the relationship between East European Jewish history and post-Holocaust and post-Communist memory through the prism of Yiddishland, the dream of a transnational homeland defined by language and culture rather than borders. The seminar includes a course field trip to Poland over March break. Restrictions: Juniors and seniors only; JUD 362 may be repeated once with a different topic. Enrollment limited to 12. Instructor permission required. {H}{L}

Spring, Variable

POR 233 Borderlands of Portuguese: Multilingualism, Language Policy and Identity (4 Credits)

This course considers the shifting borders of Portuguese as a local, national and global language. The course explores language diversity within and across Lusophone countries and communities, noting differences in pronunciation and vocabulary and ways in which some varieties are esteemed and others stigmatized. Th course examines how different institutions have promoted and shaped Portuguese within and beyond officially Portuguese-speaking nations, and addresses multilingualism and ways in which Portuguese interacts with English, Spanish, Cape Verdean Creole and Indigenous languages in Brazil and Africa. Throughout, students consider views of writers and musicians as they reflect upon the language of their creative expression and what it means to be Lusophone in the world today. Course taught in Portuguese. Prerequisite: POR 125 or POR 200, or equivalent. {F}{L}

Fall, Spring, Variable

POR 381di Seminar: Topics in Portuguese and Brazilian Studies- Decolonial Imaginaries and Aesthetics (4 Credits)

This course explores some of the entangled and contested colonial and postcolonial histories of diverse Portuguese-language communities through the work of writers, visual artists, filmmakers and musicians from Africa, Europe and the Americas. The class discusses colonialism and its legacies, migratory and diasporic flows, contemporary contours of a Portuguese-language transnationalism, and decolonization as a concept encompassing a range of social activism and as expressed or envisioned in different forms of cultural production. Course conducted in Portuguese. Prerequisite: 200-level course in Brazilian or comparative Lusophone culture and society taught in Portuguese. Restrictions: Juniors and seniors only. Instructor permission required. Enrollment limited to 12. {A}{F}{L}

Fall, Spring, Variable

RES 126 Nineteenth-Century Russian Literature: Madmen, Conmen and Government Clerks (4 Credits)

Populated with many unique and eccentric characters--from revolutionary socialists to runaway human noses--nineteenth-century Russian literature displays a startling experimentation and innovation that advanced Russia to the vanguard of Western literature. Encompassing poetry, fiction and journalism, this survey explores how authors such as Pushkin, Gogol, Turgenev, Dostoevsky, Tolstoy and Chekhov positioned literature at the center of public discourse, as a venue for addressing important philosophical, political, religious and social issues, including gender and class relations; personal and national identity; and the role of the writer in public life. Conducted in English. No previous knowledge of Russian is required. {L}

Fall, Spring, Alternate Years

RES 127 Manuscripts Don't Burn: Literature and Dissent Under Stalin (4 Credits)

Explores how Russian literary culture responded to the tumult and upheaval of the twentieth century, an epoch encompassing the Bolshevik Revolution, two World Wars, the ascent of Stalin, and the decline and collapse of the Soviet Union, as well as unprecedented aesthetic innovations. While spanning key artistic movements of the period (including the avant-garde and other modernist tendencies, Socialist Realism, conceptualism and postmodernism), the survey focuses on Stalinism and its aftermath, considering how Soviet writers developed strategies of dissent and protest in literature. Conducted in English, no previous knowledge of Russian required.

Fall, Spring, Alternate Years

RES 264/ WLT 264 Dostoevsky (4 Credits)

Offered as RES 264 and WLT 264. Focuses on close reading of the major novels, short fiction and journalism of Dostoevsky, one of the greatest writers in modern literature. Combining penetrating psychological insight with the excitement of crime fiction, Dostoevsky’s works explore profound political, philosophical and religious issues, in a Russia populated by students and civil servants, saints and revolutionaries, writers and madmen. In a close reading of his fiction and nonfiction, the class traces the development of Dostoevsky’s style and ideas, considering how these texts engage with issues specific to nineteenth-century Russia, as well as the broader traditions of European literature and intellectual history. In translation. {L}

Fall, Spring, Variable

RES 273/ WLT 273 Cosmic Cold War: Russian and Western Science Fiction in Political Context (4 Credits)

Offered as RES 273 and WLT 273. How did the "final frontier" of space become a "front" in the Cold War? As the US and USSR competed in the Space Race, science fiction reflected political discourses in literature, film, visual art and popular culture. This course explores Russian and Western science fiction in the contexts of twentieth-century geopolitics and artistic modernism (and postmodernism), examining works by Bogdanov, Kubrick, Tarkovsky, Butler, Haraway, Pelevin and others. The survey considers science fiction’s utopian content and political function, as well as critical and dystopian modes of the genre. No prerequisites or knowledge of Russian required; first-year students are welcome to enroll. Enrollment limited to 40. {A}{H}{L}

Fall, Spring, Variable

RES 275 Avant-Garde as Lifestyle: Cinema and Socialism in the Soviet Union and Eastern Europe (4 Credits)

Explores the avant-garde film traditions of Eastern and Central Europe, including works from the Soviet Union, Poland, Hungary, Czechoslovakia and Yugoslavia. The course focuses on how avant-garde filmmakers engaged with the socialist project in the USSR and Eastern Bloc, and its call for new forms, sites and life practices. The course investigates how avant-garde cinema represents everyday life amidst the public and private spaces of socialism. In approaching the relationship between cinema and space, students consider examples of architecture (Constructivist, Functionalist, Brutalist), as well as theoretical writings by and about the avant-garde. Conducted in English, no prerequisites. {A}{H}{S}

Fall, Spring, Variable

RES 300lt Seminar: Advanced Topics in Russian, East European and Eurasian Studies- Lev Tolstoy and the Narrative Shape of History (4 Credits)

The fiction of Tolstoy is unrivaled in its psychological insight, lyrical beauty and epic scope, prompting Russian author Isaac Babel to claim that when he read Tolstoy, he felt as if the world was writing itself. This course examines works spanning Tolstoy’s literary career, from his early writings to his late stories and essays, including War and Peace, his monumental account of the Napoleonic Wars. Analysis of Tolstoy’s fiction focuses on the relationship between history and literary form, and the way Tolstoy’s narrative technique, illuminated by Russian Formalist literary theory, enriched his representation of human agency and subjectivity. Priority given to RES majors. Restrictions: Juniors and seniors only. Enrollment limited to 15. Instructor permission required. {A}{H}{L}

Fall, Spring, Variable

SPN 178/ WLT 178 Naughty Fictional Translators (4 Credits)

Offered as WLT 178 and SPN 178. This course focuses on fictional portraits of iconoclastic translators and interpreters. The first two months are devoted to a (relatively) "slow reading" of Don Quijote as a pioneer text in terms of attributing a central role to a fictional translator. The third month is devoted to international films and short stories--largely, but not exclusively, from the Spanish-speaking world, which has experienced a remarkable upsurge of "transfictions" (i.e., fictions about translators) since the ‘90s. Taught in English. {L}

Fall, Spring, Alternate Years

SPN 260dl Topics in Latin American Cultural History-Decolonizing Latin American Literature (4 Credits)

This course offers critical perspectives on colonialism, literatures of conquest and narratives of cultural resistance in the Americas and the Caribbean. Decolonial theories of violence, writing and representation in the colonial context inform the study of literary and cultural production of this period. Readings explore several themes including indigenous knowledge, land and the natural world; orality, literacy and visual cultures; race, rebellion and liberation; slavery, piracy and power; and the coloniality of gender.  Prerequisite:  SPN 220 or equivalent.  Enrollment limited to 19. {F}{H}{L}

Fall, Spring, Variable

SPN 372sb Seminar:Topics in Latin American and Iberian Studies-Blackness in Spain (4 Credits)

This course investigates the lives of Spaniards of African origin or individuals who lived in Spain such as: painter Juan de Pareja (Velazquez’s slave) in the 17th century, whose unique portrait by Velazquez hangs at the New York Metropolitan Museum; volunteers of the Lincoln Brigade in the Spanish Civil War in the 1930s, for example poet Langston Hughes, and nurse Salaria Kea; migrant workers; Smith alumna Lori L. Tharp, author of a travel memoir of her Junior Year Abroad, Kinky Gazpacho (2008), which she describes as a “racial coming of age.” The ultimate goal is to gain understanding of racial relations in Spain and to explore the geology of Western racism. Restrictions: Juniors and seniors only.Enrollment limited to 14. Instructor permission required. {A}{F}

Fall, Spring, Variable

TSX 330/ WLT 330 Capstone Seminar in Translation Studies (4 Credits)

Offered as WLT 330 and TSX 330. The capstone seminar brings together a cohort of concentrators to discuss a final translation project that each student undertakes with the guidance of their adviser in the concentration and to situate the project within the framework of larger questions that the work of translation elicits. The readings focus on renowned practitioners’ reflections on the challenges, beauties and discoveries of translating. Students compare how translations transform the original novel and question the concept of original text as it interacts with the culture and the language into which it is translated. Open to students in the Concentration in Translation Studies and World Literatures. Prerequisite: WLT 150. Restrictions: Juniors and seniors only. Enrollment limited to 12. Instructor permission required. {L}

Spring